Geslacht: Mannelijk
Chip Deffaa is an American author, playwright, screenwriter, jazz historian, singer, songwriter, director, and producer of plays and recordings. For 18 years, he wrote for the New York Post, covering jazz, cabaret, and theater. He has contributed to Jazz Times, The Mississippi Rag, Down Beat, Cabaret Scenes, England's Crescendo, and Entertainment Weekly. He's written nine books and 20 plays, and has produced more than 40 albums. As D.A. Bogdnov noted in a lengthy profile of Deffaa published in TheaterScene.net on December 5, 2022, Deffaa "has produced more recordings of George M. Cohan songs than anyone living, just as he's produced more recordings of Irving Berlin songs than anyone living. And having produced more than 40 albums in total now, Deffaa has surely recorded more members of New York's theater/cabaret community than anyone living." He was born in New Rochelle, New York. Mentored by former vaudevillian Todd Fisher and studying at the American Academy of Dramatic Arts in his youth, Deffaa became hooked on show business while performing as a child actor. His interests evolved into writing. He wrote his first play and first song at age 17. He graduated from Princeton University. He freelanced for various publications before finding a longtime home at The New York Post, where editors V.A. Musetto, Matt Diebel, Steve Cuozzo, and Faye Penn gave him wide latitude to write about jazz, cabaret, classic pop, and theater.
Source: Wikipedia | Last updated on May 6, 2024
Over de naam Chip Deffaa, Chip betekent Chipping Sparrow, Man, Strong Man, A Freeman.
The name Chip Deffaa is often used as a Mannelijk naam and is mostly used as a Voornaam.
Chip is vaak gevonden in United States of America, Malaysia, United Kingdom, en 57 meer landen.
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Ontdek hoe Chip Deffaa klinkt in verschillende talen of accenten. Selecteer uit de beschikbare talen in het dropdownmenu en klik op 'Uitspreken' om te horen hoe Chip Deffaa wordt uitgesproken.
Op NamesLook is de naam Chip geregistreerd 2,965 keer wereldwijd, wat het de 15,167 meest voorkomende naam wereldwijd maakt.
Chip komt het meest voor in United States of America, met 2,280 voorkomens, waardoor het de 1,629 meest populaire naam in het land is.
In United States of America wordt de naam Chip gevonden bij 1 op elke 793 mensen, wat de hoogste frequentie daar aantoont.
Land | Rang | Frequentie |
---|---|---|
United States of America | #1,629 | 1 : 793 |
Malaysia | #7,280 | 1 : 13,360 |
United Kingdom | #5,660 | 1 : 4,984 |
Bangladesh | #10,008 | 1 : 16,173 |
Jamaica | #1,443 | 1 : 2,655 |
Canada | #10,729 | 1 : 13,857 |
France | #28,309 | 1 : 52,159 |
Costa Rica | #4,465 | 1 : 6,395 |
Netherlands | #13,351 | 1 : 18,067 |
South Africa | #36,282 | 1 : 111,661 |
Deze grafiek toont de rang van de naam Chip van 1980 tot 2022, gebaseerd op de meest recente gegevens van de Amerikaanse Social Security Administration.
Chip Deffaa is an American author, playwright, screenwriter, jazz historian, singer, songwriter, director, and producer of plays and recordings. For 18 years, he wrote for the New York Post, covering jazz, cabaret, and theater. He has contributed to Jazz Times, The Mississippi Rag, Down Beat, Cabaret Scenes, England's Crescendo, and Entertainment Weekly. He's written nine books and 20 plays, and has produced more than 40 albums. As D.A. Bogdnov noted in a lengthy profile of Deffaa published in TheaterScene.net on December 5, 2022, Deffaa "has produced more recordings of George M. Cohan songs than anyone living, just as he's produced more recordings of Irving Berlin songs than anyone living. And having produced more than 40 albums in total now, Deffaa has surely recorded more members of New York's theater/cabaret community than anyone living." He was born in New Rochelle, New York. Mentored by former vaudevillian Todd Fisher and studying at the American Academy of Dramatic Arts in his youth, Deffaa became hooked on show business while performing as a child actor. His interests evolved into writing. He wrote his first play and first song at age 17. He graduated from Princeton University. He freelanced for various publications before finding a longtime home at The New York Post, where editors V.A. Musetto, Matt Diebel, Steve Cuozzo, and Faye Penn gave him wide latitude to write about jazz, cabaret, classic pop, and theater.
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